‘Jersey Shore’ Going To Italy For Season 4

After getting a less-than-warm reception in Miami during the second season of ‘Jersey Shore,’ MTV apparently decided to see how the cast would do abroad.

So Snooki, The Situation, DJ Pauly D, J-Woww and the rest of the ‘Jersey Shore’ cast are going to shoot in Italy for the fourth season.

The Italians may never forgive us for this ;). Are you even the tiniest bit curious about the spectacle or are you OVER ‘Jersey Shore’?

Photos by FAME




  1. Nene says

    I am an average 20something italian girl, and yes I do am short with bug curves, olive complexion and dark hair but I do NOT (nor has any of my friends) anything in common with those shallow, gross and un-educated spawns. If they’d ever crossed my path I would have to hold my tongue… my beautiful country already has enough bad press from the so-called politician class that is ruining it financially and culturally.
    And seriously, they represent italy as good as Paris Hilton, Bristol Palin and Britney Spears could represent USA.

  2. speaking of this ish... says

    Umm..I don’t very much they’d go to Italy considering they don’t speak a lick of the language..besides Italy won’t put up with a drunken Snooki, a womanizing pedo like the Situation…They’d throw them in jail as soon as they land

  3. dholmas says

    Are any of them Italians or are they Italian wannabe’s? What a bunch of low class idiots.

  4. Tecla says

    I hope that the italian goverment stops this GARBAGE before it starts .Italians are proud people ,they don’t need people like Farley,the midget,Vinny,Sorrentino,Pauley d , Ortiz and Sammi going there spreading diseases.
    Instead got o Franklyn square ….Farley hometown…so she can show everyone where she lives.The midget she can film upstate New York…and others in Staten Island etccc.
    Vinny …shame on you ….how could you go to Italy .I noticed that you are not a saint after all….you did things with her…….dirty dirty dirty.You are a bunch of grossiness…stupidity and at same time you are fooling MTV and all others with your promiscuity.Some day you will regret all this….God is watching.

  5. why? says

    The average American, of whose daily life TV-watching takes such an unhealthy portion, distinguishes between these fictional situations and reality only with difficulty, if at all. He responds to the televised actions, statements, and attitudes of TV actors much as he does to his own peers in real life. For all too many Americans the real world has been replaced by the false reality of the TV environment, and it is to this false reality that his urge to conform responds. Thus, when a TV scriptwriter expresses approval of some ideas and actions through the TV characters for whom he is writing, and disapproval of others, he exerts a powerful pressure on millions of viewers toward conformity with his own views.

    And as it is with TV entertainment, so it is also with the news, whether televised or printed. The insidious thing about this form of thought control is that even when we realize that entertainment or news is biased, the media masters still are able to manipulate most of us. This is because they not only slant what they present, but also they establish tacit boundaries and ground rules for the permissible spectrum of opinion.

    As an example, consider the media treatment of Middle East news. Some editors or commentators are slavishly pro-Israel in their every utterance, while others seem nearly neutral. No one, however, dares suggest that the U.S. government is backing the wrong side in the Arab-Jewish conflict, or that 9-11 was a result of that support. Nor does anyone dare suggest that it served Jewish interests, rather than American interests, to send U.S. forces to cripple Iraq, Israel’s principal rival in the Middle East. Thus, a spectrum of permissible opinion, from pro-Israel to nearly neutral, is established.

    Another example is the media treatment of racial issues in the United States. Some commentators seem almost dispassionate in reporting news of racial strife, while others are emotionally partisan—with the partisanship always on the non-White side. All of the media spokesmen without exception, however, take the position that “multiculturalism” and racial mixing are here to stay and that they are good things.

    Because there are differences in degree, however, most Americans fail to realize that they are being manipulated. Even the citizen who complains about “managed news” falls into the trap of thinking that because he is presented with an apparent spectrum of opinion he can escape the thought controllers’ influence by believing the editor or commentator of his choice. It’s a “heads I win, tails you lose” situation. Every point on the permissible spectrum of public opinion is acceptable to the media masters—and no impermissible fact or viewpoint is allowed any exposure at all, if they can prevent it.

    The control of the opinion-molding media is nearly monolithic. All of the controlled media—television, radio, newspapers, magazines, books, motion pictures—speak with a single voice, each reinforcing the other. Despite the appearance of variety, there is no real dissent, no alternative source of facts or ideas accessible to the great mass of people that might allow them to form opinions at odds with those of the media masters. It is a view of the world designed by the media masters to suit their own ends—and the pressure to conform to that view is overwhelming. People adapt their opinions to it, vote in accord with it, and shape their lives to fit it.

    And who are these all-powerful masters of the media?
    To a very large extent they are Jews. It isn’t simply a matter of the media being controlled by profit-hungry capitalists, some of whom happen to be Jews. If that were the case, the ethnicity of the media masters would reflect, at least approximately, the ratio of rich Gentiles to rich Jews. Despite a few prominent exceptions, the preponderance of Jews in the media is so overwhelming that we are obliged to assume that it is due to more than mere happenstance.

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